A hands-on partner to founders building, growing, and reinventing the institutions that carry culture forward.
The moment
Philanthropy is being rewritten. A new generation of founders, global and mission-driven, is turning to culture and building institutions of their own, with the creativity, energy, and boldness they brought to everything they've built.
I work alongside these founders and their teams, hands-on. Having built and run a cultural institution myself, I partner with the leaders shaping what comes next, at their moments of growth and transformation.
The practice
I work beside founders and their teams, close to the work. Having built and run a cultural organization day to day, I help turn a vision into a real, working institution, and guide the people who will carry it forward.
Culture earns its place when it does public work. I build programs and institutions around mission and community, so that access and impact are part of the design from day one.
The most radical art has no market and no immediate return. I help a patron shape their support and their role, from a collection to a museum, and give artists the means to make work that would not otherwise exist.
The hardest part of building culture is keeping it. I bring analytical rigor to collections, foundations, and institutions, so that what a founder builds runs with consistency and sustains itself over time.
What I do
Turning a private vision or collection into a working institution: governance, nonprofit structure, capital projects, and launch.
A clear strategy for a foundation, museum, or collection: mission, roadmap, and long-term impact.
The business backbone: operating and capital budgets, revenue and fundraising strategy, staffing, and the structures that keep an organization sound.
A clear identity, narrative, and public position for a foundation, collection, or cultural project.
Rooting a project in its community and network: access, public programs, and the relationships that earn a place.
Partnerships across institutions, universities, and communities, and with governments across borders: cultural diplomacy and soft power.
Building and caring for a collection or an artist's estate: acquisitions, appraisals, provenance, and long-term care.
Giving a founder's philanthropy a coherent architecture, and concentrating its impact where it can take root.
Experience
Hands-on and up close, building institutions that last and give back.
The founding moment
A couple with a deep passion for contemporary art and architecture were reflecting on their legacy, and on the philanthropic direction of their collection. I began alongside them, inside their family office and close to the collection, and set out to interpret that vision as a museum in its own right: working with the architect, assembling a team, shaping the business model and the governance, and, over time, more than one expansion, until the campus grew to close to 40,000 square feet, with its own café, store, and research center. Along the way I became its inaugural Executive Director of both the foundation and the museum, rooting the institution in its community and forging the civic and cultural partnerships that carried its name far beyond the Hudson Valley.
Result: a private collection became an internationally recognized museum, conceived, built, and led end to end, the complete experience a founder needs to build the next one.
Institution building · Strategic planning · Operations, fundraising & financial sustainability · Positioning & communication · Community building & relations · Partnerships & cultural diplomacy · Collection & estate stewardship · Strategic philanthropy & impact
The repositioning
The foundation carrying a major American artist's legacy needs to secure its purpose for the decades ahead. Working closely with the artist, the estate, and the executive team, I am leading the strategy to reposition it, reorder its priorities, and place its stewardship and long-term sustainability on solid ground.
Result: a foundation realigned around its mission, and equipped to carry a singular vision far into the future.
Strategic planning · Positioning & communication · Operations, fundraising & financial sustainability · In progress · Confidential
The next phase
A founder set out to carry a personal art program and collection into its next chapter, as a place that would outlast the moment. Working with them, I developed the strategic plan and the plan for its legacy, mapping how a private sculpture park could take shape and endure.
Result: a plan to turn a private passion into a lasting public place.
Strategic planning · Confidential
The operating moment
A private art foundation, preparing to open its first permanent home, needed to translate the vision of its founder and director into something that could truly run. As part of the team shaping it, I contributed to the operating model and the financial scenarios, and helped define the structure and positioning that turned aspiration into a working mission.
Result: a clear operating model, and a shared language for how the foundation would work and grow, in perpetuity and in partnership with local government.
Strategic planning · Operations, fundraising & financial sustainability · Positioning & communication · Confidential
The growth moment
A founder-led initiative putting new technology to work on cultural heritage, from the provenance of cultural property to its restitution and circulation, was ready to scale. Alongside its founder, I build the partnerships that drive its growth: academic, technological, and institutional, with a board rebuilt for the next stage and a funding strategy to match.
Result: a repositioned organization, its mission accelerated through institutional partnerships.
Partnerships & cultural diplomacy · Strategic planning · In progress
Who I am
I believe art is a vehicle for far more than itself. To give artists and their communities a platform is to interpret the world, and to change the way you see it.
I am a cultural strategist and institution-builder with more than fifteen years in the cultural field. As inaugural Executive Director of Magazzino Italian Art, I turned a private collection into an internationally recognized museum. Today I work across the United States, Europe, and Mexico, with founders, museum leaders, and artists shaping a new generation of institutions.
My work lives where vision meets institutional reality. I design frameworks and business models tailored to each mission, built for measurable impact and for institutions that endure well beyond their founding. I work close to the founder, protecting the identity of what we make and holding the trust it depends on: consistency, discretion, constant communication. The most complex mandates, I staff with a dedicated team.
An MBA from Columbia Business School, a master's in art history and the art market from Christie's Education, and degrees in management and international institutions from Bocconi University in Milan.
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